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The Problem of Sound and its Fetishisation in Music
This essay seeks to describe a number of fundamental problems in approaches to the sonic manifestation of a musical work of art that arise from a composition-historical treatment of the timbral dimension. Following on from Theodor W. Adorno’s reflections in his text ’On the Fetish Character in Music and the Regression of Listening’, the author examines the current situation of music and calls for a renewed critical reflection.
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