Musik & Ästhetik

Heft 03 / Juli 2015

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Johannes Menke

Der Morgenlandfahrer und der tonale Abenteurer . Neues über Scelsi und Tosatti

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Zusammenfassung:

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Summary:

The Oriental Traveller and the Tonal Adventurer. New Information About Scelsi and Tosatti – Studies and editions from the last ten years make it possible to see the genesis of Scelsi’s works and his view of himself in a new light. As far as the writing of the music is concerned, the central figure is Vieri Tosatti, who produced most of the scores. Once it became clear that both the production of the tape recordings and that of the scores displayed a high degree of sometimes autonomous constructivity, the question remains of how it was possible for Tosatti, whose aesthetic views were very different from Scelsi’s, to produce such convincing and innovative results. Scelsi’s autobiography, published in German in 2013, offers insight not only into his life, but also his way of thinking. Of particular interest are his statements about his musical training, his attitude to contemporary music, concern about his works, his Christianity and the imaginary orient as a place of spiritual longing.

Résumé:

Musik & Ästhetik Jahrgang 19, Heft 75, Heft 03, Juli 2015
broschiert
ISSN: 1432-9425

Autoren in dieser Ausgabe

Reinhard Ellensohn, Sonja Erhardt, Hanns-Peter Mederer, Richard Klein, Christian Utz, Ariane Jeßulat, Ulrich Kaiser, Olena Ushchapivska, Stephan Mösch, Johannes Menke, Alfons Söllner, Larson Powell, Mark DeVoto, Hansjörg Ewert, Wolfgang Marx,


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