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Musik & Ästhetik, 2023, Jg. 27, Ausgabe 107

Musik & Ästhetik, 2023, Jg. 27, Ausgabe 107

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Bibliographische Angaben


Herausgegeben von:Claus-Steffen Mahnkopf, Tobias Janz, Johannes Menke und Sonja Dierks
1. Auflage, Erscheinungstermin: 03.07.2023
ISSN print: 1432-9425 / ISSN digital: 2510-4217

Details


Hauptbeitrag
Theorie der Polyphonie

This general theory of polyphony presents the concept of difference internal to discursivity as the key to understanding what distinguishes polyphony from other forms of multi-part texture. If the use of multiple voices is thought differentially, the result is a series comprising polyphony, polymorphy, polyprocessuality and poly-work. At the same time, this theory explains semantic issues in diagonal listening as part of a strategy for dealing with the apperceptive surplus, and considers matters of material construction without which polyphony, especially in its higher-level forms, is not possible.

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Claus-Steffen Mahnkopf
Seite 5 - 20
Umberto Eco und die »Musik des Denkens«

This essay deals with selected aspects of Eco’s engagement with music, looking at both fictional and academic texts that have seldom, or in some cases never, been examined in the field of music research. The reception of Eco’s work has hitherto concentrated mostly on his statements about music in such publications as The Open Work (1962) or the semiotic writings. After presenting and discussing selected passages on music from the novels Foucault’s Pendulum (1988), The Island of the Day Before (1994) and Numero Zero (2015), the author considers individual facets of musical reception and interpretation found in scattered academic and occasional texts by Eco. The final summing-up attempts to identify continuities or constants in Eco’s long-standing engagement with music.

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Kai Marius Schabram
Seite 21 - 36
Über Luigi Nono schreiben ...

Since Luigi Nono’s death in 1990, there has been an astonishingly intensive reception of his music. It not only encompasses the late works following the string quartet Fragmente – Stille, An Diotima (1980), but has also revived the earlier works with explicit political content. A central factor in this is the Archivio Nono in Venice, made possible by Nuria Schönberg-Nono, with its extensive collection of documents. This makes it possible to explore in depth the history of the works’ genesis and effects, and to present them comprehensively with ›new questions‹ (in Nono’s own words).

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Jürg Stenzl
Seite 37 - 45
Franck Christoph Yeznikian
Ein Porträt (mit Analyse)

In his works, the French composer Franck Christoph Yeznikian weaves a multitude of references together to form supporting layers of meaning, combining these with a complex, precisely defined rhythmic and microtonal structure. His music, concentrated in contrapuntal lines, develops in slow and calm arcs; its sonic character is clearly a melancholy one. His historical models are merged with his sonic language with different degrees of presence. One particular characteristic of his harmonic and sonic spaces is a ›shining‹ created through a constant re-colouring of fixed-register pitches.

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Bernd Asmus
Seite 46 - 57
Kolumne
Stimmauthentifizierung und Feinhörigkeit
Formate: pdf, html
Sonja Dierks
Seite 58 - 59
Forum
Iranerinnen
Formate: pdf, html
Aida Shirazi, Mercedeh Gholami, Golfam Khayam, Niloufar Nourbakhsh, Shaghayegh Bagheri, Samin Ghorbani, Golnar Shahyar, Nahid Siamdoust
Seite 60 - 75
Diskussion
Musik als Verbrechen
Afghanistan und die Folgen

Under the rule of Taliban in Afghanistan, music is no longer possible in the country, since musicians are criminalized. Herewith one of the most significant intangible heritage in Afghanistan has been almost completely silenced and banned from any kind of social or communitarian life. In a close cooperation with the German Foreign Office in 2021 the UNESCO Chair on Transcultural Music Studies at the University of Music Franz Liszt Weimar was able to name important musicians and representatives of Afghan music and music archives for the official evacuation list of the German government. Aprox. 170 musicians and experts have left Afghanistan and are now mainly based in Germany. The aim is to keep working closely with Afghan musicians and experts on heritage matters, with concerts, workshops, research projects and on archival materials. Besides that, the UNESCO Chair’s »Afghan Music Research Center« (amrc-music.org) is among the largest and most important ones outside Afghanistan, especially regarding the recent music related living heritage of the country.

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Tiago de Oliveira Pinto
Seite 76 - 84
Kritik
Der Zunft ins Stammbuch zu schreiben
Briefe von Carl Dahlhaus
Formate: pdf, html
Peter Gülke
Seite 86 - 91
Über die Memoiren des Ai Weiwei
Formate: pdf, html
Tobias Fandel
Seite 92 - 95
Deutschstunde mit Musik
Jens Balzers Geschichte des deutschen Pop seit 1945
Formate: pdf, html
Christiane Tewinkel
Seite 96 - 99
Verfestigung des Nichtfesten
Ein Sammelband über musikalische Interpretation im 19. und 20. Jahrhundert: Institutionen – Medien
Formate: pdf, html
Ulrich Messthaler
Seite 100 - 103
Selbstbestimmung als Qualität im Musizieren
Klara Haywards Konzeption musikalischer Mündigkeit
Formate: pdf, html
Nicole Besse
Seite 104 - 106
Potenzierte Polyphonie
Zu Karin Wetzels Das Werk im Werk. Konzepte des Poly-Werks
Formate: pdf, html
Adrian Kleinlosen
Seite 108 - 113
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